There are many competitive photographers in D.C. I’ve learned from guys such as Stephen Crowley of The New York Times, Win McNamee of Getty and The Associated Press’ J. Scott Applewhite since I came here as an intern with six months of experience at my college newspaper. They don’t need to be the closest or most aggressive. They put some elements together, capture a moment, or catch a piece of light that will tie a picture together. Colleagues I respect will always try to be aware of where the other shooters are in a crowd and flash a “You OK?” look when they are close to being in your frame. I try to operate this way, too, but sometimes it can be difficult on the road.
Covering candidates in their home districts is an essential part of the job, but adapting to the style of the local visual journalists can be challenging. In D.C., there are so many still photographers that we have to work together so we don’t get in each other’s shots. A lot of journalists in smaller markets aren’t used to working in crowds, and I think they focus on what they need and not where others are.